The absolute best money that you can spend
on maintaining your saxophone is to get a case that properly (1) fits
your horn and (2) fits your needs and usage pattern. In my thirty years
in the repair business, I have seen more serious damage caused by case
issues than from any other source. A proper case costs no more than a
good mouthpiece, and will pay for itself many times over in repair cost
savings. As the airlines become more and more restrictive on carry on
luggage, the choice of a proper case becomes even more critical for the
touring musician.The first step in choosing the best case for your
needs is to assess what the case must do for you. Obviously, it must
hold the horn as you go from point A to point B, but now is a good time
to take a look at your needs, and what circumstances pose a threat to
your horn's well being. What accessories do you always take with you? I
always carry a saxophone stand; my wireless microphone; a couple of
mouthpieces; a box or two of reeds; an extra neck; assorted ligatures;
my "gig" repair kit; and maybe some charts. Before too long, you’re
talking about a lot of necessary stuff! How will the horn be traveling?
In a truck or tour bus, the trunk of a car, in the luggage compartment
of an airliner, or some other way? Will it always be handled by persons
who are familiar with the inherent fragility of a saxophone? Is there a
possibility that other instruments or equipment may be stacked atop your
horn? Will it be exposed to extreme heat or cold? Now might be a good
time to take out your gig book for the last year and take a look at how
and where your horn traveled in the recent past. The results may
frighten you!
Now that you have established your usage pattern, you must decide how
many of your necessary accessories must travel in the case with your
instrument and what can be carried separately. I carry most of my
accessories in a separate case, which also has room for other stuff that
may prove necessary for that particular gig. This greatly simplifies my
case decision.
As in most of human existence, it’s always best to assume a "worst
case" (no pun intended!) scenario: I always plan on my instrument being
handled by abusive airline luggage handlers and that the drum tech will
be bringing my horn into the dressing room after three sleepless nights
in a row! What case design features will leave my horn vulnerable?
First and foremost, a case should fit your horn tightly! When the
body of your saxophone is inserted into the case, it must not move in
any direction. If this is a problem with your present case, fill any
spaces with bubble wrap or soft foam. Any movement of the instrument
will ultimately lead to adjustment issues or worse. Don’t forget to
check for movement up and down after the lid of the case is closed. If
your case is old, the padded lining may have compressed over time, and
the instrument no longer fits as intended. Take the case to a good
luggage shop and have the padding replaced.
Remove your instrument from the case, secure all of the latches, and
see if the case flexes. Apply pressure diagonally, vertically, and
horizontally, and see if it allows movement. If it does, you are asking
for a bent body tube! This is the number one cause of "traveling
disasters" that we see in our repair shop. The case must remain
perfectly rigid at all times if you want your instrument to be fully
protected. Any flexibility whatsoever is asking for trouble.
I think that it goes without saying that all of the latches and
hardware should be in working order. If your case will not stay closed,
sooner or later your horn is going to fall out and you are going to have
a very expensive visit to the repair shop. Replacement hardware is
readily available, and any luggage shop should be able to make necessary
repairs for you. A couple of good sources of musical instrument case
replacement hardware are Allied Supply and Ferree Tool.
Take a look at how you pack the accessories you carry inside your
case and check for movement. I don’t know how many dented necks I’ve had
to repair as a result of them being left loose in a case accessory box
with metal mouthpieces! Be sure to properly protect your neck with a
padded bag, and fill the accessory box with bubble wrap or foam so that
nothing rattles around. It’s not a bad idea to check the latch on the
accessory box to be certain that it can’t come open accidentally and
allow a metal mouthpiece or other carried item to get loose and damage
the keywork of the saxophone carried in the main compartment. I see this
tragedy on a regular basis.
If you have decided that it is time for a new case, carefully examine
the construction of all the candidates. I would strongly urge that the
plastic cases be avoided! Look at the cases of your fellow saxophonists
and you will see that plastic cases just don’t hold up: they flex; the
"feet" get knocked in; they warp from heat. Fiberglass cases, although
more expensive, are a much better buy in the long run. Take a good look
at the padding, and reject any cases that lack a firm but flexible
liner. Be wary of any case which uses ordinary styrofoam as padding! Be
certain that the instrument is properly padded at the ends. I’ve
observed that most cases land on the end when they take a tumble, and
that the protection offered at that point is often woefully inadequate.
The hardware should be heavy duty, and should not rely upon springs
alone to ensure closure.
Now for a word about gig bags: I’m in the repair business and I love
them! The use of gig bags pretty much makes my mortgage payment for me
every month. Even the very best of them offers minimal protection. Why
anyone would carry an expensive instrument around in a gig bag is
absolutely beyond me!
What’s the best case? There’s no question about the fact that an ATA-
style case constructed of heavy plywood and metal reinforced with thick
foam padding and heavy duty hardware is a must for anyone who travels
even short distances with their horn. Of course, such a case is heavy,
big, and somewhat expensive, but if you are serious about protecting
your instrument, you really have no other choice. I am currently working
with a major case manufacturer to design the "ultimate" saxophone case
for traveling musicians. Remember, a good case is a lot cheaper than a
visit to the repair shop!
